As was the case for many of the songs in this time period, John appears without his trademark glasses, and does not play piano. An Elton John fan on a bus back to the city after the concert was cancelled due to Aucklands severe weather event on Friday has described the moment it started filling with floodwaters. The video featured a cameo appearance by Bernie Taupin. The bus filled with water during its journey from Mt Smart Stadium on Friday night. The music video, directed by Simon Milne, was filmed in St. The song has seemingly been discarded by John, having not been played live since then, as of 2019. John performed the song live during his 1985 tour of the UK, with a slightly re-arranged version of the track, making use of the brass section he used for the tour. It has been suggested that Taupin's lyric has an anti-apartheid message behind it. ELTON JOHN songs and albums, peak chart positions, career stats, week-by-week chart runs and latest news. The whistle riff and chorus melody are borrowed from this piece, and Mkhize is given a songwriting credit for the song on this basis. You can create one for free here).Don’t forget to save it to your own Spotify profile when finished. The music for the song was largely based on a South African folk tune called 'Isonto Lezayone', which was recorded in 1963 by Phineas Mkhize. From Elton Johns 1984 album 'Breaking Hearts.' This album was a return to the familiar formula that worked well with the previous album 'Too Low for Zero.'. Add your favourite tracks to create your own Spotify playlist (youll need a Spotify account to use the Jukebox. It was composed by John, Bernie Taupin and Davey Johnstone. The song was included on his 1990 UK release The Very Best of Elton John, but has not been included on any compilation since. The song reached number five on the UK chart, and reached the top ten in Australia, but was not released as a single in the US. Passengers is a 1984 song by English musician Elton John that appears on his 1984 album Breaking Hearts, released as the second single of the album.
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